Today it’s time to introduce you to the next track from my collaboration EP called “with”. This one is made together with the amazing American piano player, composer and friend Merrill Crissey.
What I think is the most interesting thing with working on this song is that it was actually a “finished” song that I never found a place for on any of my early releases. While Merrill though that I added the strings after I got his piano parts, it was actually the other way around; everything was already there, I just choose to hide it to see what he would add to just my piano track! When I got the pianos and “un muted” the already existing tracks – magic happened!
Well, Merrill, tell us something about the track Gymnopedie from your point of view!
Gymnopedie is not my first collaboration, but it’s the first I’ve ever released. Johan Eckman started by laying down the chord progression. I liked it, but I found it quite challenging to write with for two reasons. the tempo was quite slow and there was a major seventh chord which made harmonies a bit tricky. I experimented with some very busy melodies trying to breath some life into it, but nothing seemed to gel. Finally, I went with the idea of stacking another chord over the original chords and making the melody simple. This gives it complexity in the harmonies but simplicity in the melody. The tune and the harmonies conjured up memories of Erik Satie which helped us decide on the title. Later, Johan put in some nice strings and a beat to give it a more polished sound and keep it interesting.